He walks offscreen shouting, "Wench! Another!" It's not the incest that bothers him, of course, it's the choice of bride. Glum Aemond introduces us to a new bit of information: Aegon is betrothed to their sister Helaena. But beyond that, it's anyone's guess.Īegon is getting drunk and ogling the comely cater-waiters. I mean, there's a bit in there about the greens (who side with Alicent and want Aegon to be Viserys's heir) and the blacks (who are full-bore Team Rhaenyra). Scott!" "Janet!" "Brad!" "Rocky!" but stretched out over 12 minutes.ĭragons of flesh weaving dragons of thread We are burning serious daylight with all these pained expressions getting exchanged it's really just "Janet!" "Dr. That said, this episode kicks off by giving every freaking character listed above a long moment to gaze meaningfully at another character, and with a cast this huge, this process takes a hell of a long time. I admire the show's trust in its actors' ability to convey what we need to know through expression and gesture, instead of through thick, wordy clots of exposition. And creepy Ser Larys, slinking around the place like a silent-movie vamp. Ser Qarl Correy, Laenor's *throat-clearing noise*, as my mom would call him. Ser Criston Cole, being a smug jerk once again. Ottto Hightower, being Handy, once again. The king, the queen and their kids Aegon, Aemond and Helaena. Laenor's wife Rhaenyra and "their" kids, Jayce and Luke. Her mother Rhaenys, her father Corlys, her uncle Vaemond, and her brother Laenor. The gang's all here: Her not-so-grieving husband Daemon and her very-much-grieving kids, Rhaena and Baela. There is a fireworks factory in our future, reader, and our bus is just now pulling out of the school parking lot. I do not share this view, to put it mildly. Some folks have been complaining about what they view as the breakneck speed with which the show burns through its plot. Thus this episode brings every character from disparate storylines together for a funeral where emotions are running high bashes them against each other in ways that invariably result in sex and/or violence then sends everyone back to their separate corners, reeling from the experience.īig things happen! Big changes! A dragon gained, an eye lost! A marriage ends in fire, another begins in blood! Battle lines get drawn - no but for real, this time we mean it, we're using permanent marker! And two characters, the two you least expect, get something that looks a hell of a lot like a happy ending together! Somehow! In defiance of all laws of God and Man! Especially when the Man in question is George R.R. It knows that it's never about the bottle itself - it's about the Diet Coke you fill it up with, and the Mentos you plop in before scurrying the hell away. In this case: The island of Driftmark, seat of House Velaryon.Īnd this bottle episode perfectly understands the assignment. Welcome to the closest thing we're gonna get to a classic bottle episode, wherein all the action is confined to a single location. With the show massively over budget, creator Vince Gilligan concocted an episode set entirely in a meth lab starring only the two main characters, Walter White and Jesse Pinkman.Corlys Velaryon (Steve Toussaint), commander of the royal navy, is a fleet fox. Breaking Bad’s season 3 episode Fly is a perfect example of this. Limitations that could be seen as a restriction becomes frameworks to build on, expanding established characters and often exploring them in a depth and detail that wouldn’t be possible with an extended cast and locations. It ended up costing just as much as a normal episode of the show though because they had to build an entirely new set from scratch.īut, usually, these episodes are created from a need to keep things simple and creativity thrives on those constraints. A Seinfeld episode called The Chinese Restaurant was written around the simple idea of the cast waiting for food. They’re shows that are already designed to be cheap but that doesn’t mean their bottle episodes always work out that way. Other shows like How I Met Your Mother repeat that template but swap Central Perk for a bar. Friends spends A LOT of its time in characters’ apartments and a coffee shop. You could argue that a lot of sitcoms are basically bottle episodes by their very nature.
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